His Only Son

Here’s how we opened our Easter service this morning at Christ Community Church in Myerstown, Pennsylvania. As has become our tradition, it’s a dark-to-light presentation that culminates in a choir processional of exuberant voices declaring the joy of Christ’s resurrection, with the congregation joining in on the last verse. This year’s presentation was called “His Only Son,” from Genesis 22 and the Gospels. Enjoy.

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His Only Son

An Original Production by
Christ Community Church

Written by
Tim Valentino

Narrated by
Ken Hunkins

Produced and Edited by
Tim Valentino

Artwork by
Maureen Logan

Choir Directors
Sonya Valentino
Shirley Long

Processional
Christ Community Church Easter Choir

Jen Danielson, Lisa Dreibelbis, Stacey Espenschied, Kaye Focht, Marcy Garman, Shawn Garman, Ginny Hauer, Ken Hunkins, Faye Hipkiss, Bonnie Hunkins, Carol Keller, Kirby Keller, Maureen Logan, Shirley Long, Claude Petrie, Jan Petrie, Dawn Sharp, Pat Shroff, Sonya Valentino, and Tim Valentino.

Music by

“Adagio for Strings,” String Quartet, Op. 11 by Samuel Barber, performed by the New York Philharmonic Orchestra, conducted by Leonard Bernstein, Sony Music, 1971.

“Prelude” by Scott Brasher and J. A. C. Redford on Unveiled Hope by Michael Card, performed by the London Session Orchestra, featuring Hunter Lee, conducted by J. A. C. Redford, Myrrh, 1977.

“Joyful, Joyful We Adore Thee,” lyrics by Henry Van Dyke, music by Ludwig van Beethoven, Ode to Joy: from Symphony No. 9, performed by the Grace Community Church Orchestra, Sun Valley, CA, 2024.

Video by

His Only Son, directed by David Helling, starring Nicolas Mouawad as Abraham, Sara Seyed as Sarah, Edaan Moskowitz as Isaac, and Dan da Silva as the Lord, Angel Studios, 2023.

Jesus of Nazareth, directed by Franco Zeffirelli, starring Robert Powell as Jesus, Olivia Hussey as Mary, Yorgo Voyagis as Joseph, and Michael York as John the Baptist, ITC Entertainment, 1977.

The Passion of the Christ, directed by Mel Gibson, starring Jim Caviezel as Jesus, Icon Productions/Newmarket Films, 2004.

Risen, directed by Kevin Reynolds, starring Joseph Fiennes as Clavius Aquila Valerius Niger, Antonio Gil as Joseph of Arimathea, and Victor Trapani as Nicodemus, Affirm Films/Columbia Pictures, 2016.

Licensed By

Christian Copyright Licensing International No. 21229380

Christian Video Licensing International No. 21-03851831

His Only Son, My Only Son

My son Andrew is getting married two months from today. It’s been a joy having him live with us for the past couple years as he was rebooting his life from photojournalism to tech support for Christian musical theater. Not only is he enjoying his career at Sight & Sound, but he met his fiancé there as well. He also appeared in their second film, A Great Awakening. So, it’s a time of much joy as we celebrate God’s goodness to him and prepare for the big day.

Since Drew will be leaving us soon, I decided to do this year’s Easter opening entirely myself. I’ve been far too dependent on him over the years for video generation and editing. So, I forced myself to learn three new apps for making soundtracks, storyboards, and video compilations. This year’s production is based on the Akedah, the Binding of Isaac in Genesis 22. It’s a heartrending story that leads to Jesus, and my well of tears has been thoroughly drained during the preparations. Drew said, “Now you know how hard it is to edit through tears.” Exactly right.

Let’s just say I have a newfound respect for my son’s skills in this area. He really has a gift. The last two weeks have been nonstop and intense. Part of the challenge has been learning the software and then using it for editing video clips and audio tracks—something I’ve never done until now. I can usually craft a story and conceive the look I am aiming for, but Drew has always been the one to bring it to life. This time I flew solo.

So, I was eager to get his feedback on my first project. He loved it! He said I have some good editing instincts and conveyed the message well. Were he to give me a grade, he said it would be about a 92-95. Not bad for the first try! Since he has a Film and Media Arts degree from Temple University, I really value his feedback. He gave me a few ideas for tightening up the final edit, and I’ll be doing those over the next few days. I’ll post the final version here after the Easter Sunday worship service.

He’s still my beloved son in whom I am well pleased. That’s one of the reasons it’s been such an emotional month. As I’ve pondered Genesis 22 for the Good Friday service and Easter Sunday opening, I’ve been wrecked afresh by the deep and profound love that God has for his creation. For you. For me. For all of us. The hardest thing God could ever ask of us is the very thing he did for us—he gave us his only son. “I scarce can take it in.”

Drew promises to come back for our weekly movie night. (He’s only moving an hour away.) In fact, right now we’re watching Galaxy Quest because we wanted to watch something campy and fun. The cast is quite good—Tim Allen, Sigourney Weaver, Alan Rickman, and Tony Shalhoub. But the company is better. Thanks for being my movie man, Drew. You will always be loved.

His Only Son

An Original Production by
Christ Community Church

Written by
Tim Valentino

Narrated by
Ken Hunkins

Produced and Edited by
Tim Valentino

Artwork by
Maureen Logan

Choir Directors
Sonya Valentino
Shirley Long

Processional
Christ Community Church
Easter Choir

Music by

“Adagio for Strings,” String Quartet, Op. 11 by Samuel Barber, performed by the New York Philharmonic Orchestra, conducted by Leonard Bernstein, Sony Music, 1971.

“Prelude” by Scott Brasher and J. A. C. Redford on Unveiled Hope by Michael Card, performed by the London Session Orchestra, featuring Hunter Lee, conducted by J. A. C. Redford, Myrrh, 1977.

“Joyful, Joyful We Adore Thee,” lyrics by Henry Van Dyke, music by Ludwig van Beethoven, Ode to Joy: from Symphony No. 9, performed by the Grace Community Church Orchestra, Sun Valley, CA, 2024.

Video by

His Only Son, directed by David Helling, starring Nicolas Mouawad as Abraham, Sara Seyed as Sarah, Edaan Moskowitz as Isaac, and Dan da Silva as the Lord, Angel Studios, 2023.

Jesus of Nazareth, directed by Franco Zeffirelli, starring Robert Powell as Jesus, Olivia Hussey as Mary, Yorgo Voyagis as Joseph, and Michael York as John the Baptist, ITC Entertainment, 1977.

The Passion of the Christ, directed by Mel Gibson, starring Jim Caviezel as Jesus, Icon Productions/Newmarket Films, 2004.

Risen, directed by Kevin Reynolds, starring Joseph Fiennes as Clavius Aquila Valerius Niger, Antonio Gil as Joseph of Arimathea, and Victor Trapani as Nicodemus, Affirm Films/Columbia Pictures, 2016.

Licensed By

Christian Copyright Licensing International No. 21229380

Christian Video Licensing International No. 21-03851831

His Only Son

A dear family friend got me tickets to see His Only Son for my birthday. We went to the theater yesterday afternoon, and I intentionally sat next to my son during the showing. Whenever I preach on Genesis 22, I place a picture of Andrew on the pulpit just to remind myself the story is historically true, not pious fiction. This event actually happened, and it’s no fair that preachers jump ahead to Hebrews 11:19 prematurely. We have to wrestle first with what God asked Abraham to do before coming to some sort of resolution.

Does it really need to be said that I sobbed though half the film? I would do a slight rewrite of the ending (as noted below), but other than that, the movie delivered. What exactly it delivered I’m still trying to process, but I sat motionless for a good long while after the film ended. Maybe it was the story more than the production that got to me.

Either way, it was a good start to Holy Week after a great Palm Sunday celebration yesterday morning. For the next three nights, as is my custom, I’ll watch Jesus of Nazareth, parts 1, 2, and 3. Thursday night is our Maundy Thursday service, and then on the following afternoon, we’ll watch The Passion of the Christ before the evening Tenebrae service. That will be Friday. But Sunday’s coming.


A Reflection on Genesis 22

In watching Jesus carry the wood of the cross to the place of execution, Christians naturally think of the story of Abraham and Isaac in Genesis 22. God said to the patriarch, “Take your son, your only son, Isaac, whom you love, and go to the region of Moriah. Sacrifice him there as a burnt offering on one of the mountains I will tell you about.” Abraham obeyed God, and Isaac quietly carried the wood up the mountain, preparing to be slaughtered by his own father. 

In many ways, the story is disturbing, repugnant, and infuriating. We want to know what it was that drove Abraham up the mountain to take the life of his beloved son. We want to know why Isaac was so passive and compliant in the whole affair. And we want to know why God intervened at the last possible moment, possibly traumatizing Isaac even further.

The entire episode is a bit more comprehensible when we understand that covenants often involved the exchange of firstborn sons. But sending Isaac to live in God’s household would necessitate his death. That’s hard to take. Likewise, for God to send his Son to live in Abraham’s household would necessitate an incarnation. That’s hard to believe.

In any event, it was precisely because Isaac’s life was on the line that something even more horrendous than child sacrifice was at issue—namely, the possibility that God could be a liar. After all, Isaac was the child of promise, so if he died, God’s trustworthiness would die with him. Isaac has to live—or be resurrected—if all nations of the earth are to be blessed through his line. Abraham knew this, as the New Testament tells us in Hebrews 11:17. Abraham was convinced that God cannot lie, so he raised the knife. 

Just then an angel of the Lord called out from heaven, “Abraham! Abraham! Do not lay a hand on the boy. Do not do anything to him. Now I know that you revere God, because you have not withheld from me your son, your only son.” Abraham looked up, and there in a thicket was a ram caught by its horns. He took the ram and sacrificed it as a burnt offering in the place of his son.

Amazing.

Genesis 22 is a story about the costly sacrifice of a father, the willing submission of a son, and the gracious provision of the Lord. “He will provide,” said Abraham. The Hebrew literally says, “The Lord will see to it.” (Notice the future tense in English, and the imperfect tense in Hebrew.)

A lost key to the story is that God tells Abraham to sacrifice his son as a burnt offering “on one of the mountains I will tell you about.” In some way, then—unbeknownst to us—God told Abraham something about that mountain. But what did God tell him on the journey to Moriah? What did Abraham hear? What did God show him? Did Abraham see the obedient Son of God bearing the wood of the cross to Golgotha—the incarnated Son for whom there would be no substitute this time? 

It was a private conversation, and we’ll never know the details, but God gave Abraham enough information to go up that mountain and obey him completely. Jesus would be part of a similar story himself, and Abraham had gotten a preview of it. No wonder Jesus said to his contemporaries, “Your father Abraham rejoiced at the thought of seeing my day; he saw it and was glad” (John 8:56).

Perhaps if Abraham had been standing at the foot of the cross and had seen Jesus die right in front of him—and this would be my slight re-write to the movie’s ending—he would have looked up to heaven and spoken God’s words back to him: “Lord! Lord! Now I know that you revere me, for you have not withheld from me your Son, your only Son, Jesus, whom you love.”

The story shows how the hardest thing God could ever ask of us is the very thing he did for us—he gave us his only Son. That Son was a descendant of Abraham through Isaac, and all families of the earth are blessed through him. God kept his word. Again. 

“What, then, shall we say in response to this? If God is for us, who can be against us? He who did not spare his own Son, but gave him up for us all—how will he not also, along with him, graciously give us all things?” (Romans 8:31-32). 

Even more amazing.

Shadows of the Cross, Part 2: The Ram in the Thicket (Genesis 22:1-19)

In watching Jesus carry the wood of the cross to the place of execution, Christians naturally think of the story of Abraham and Isaac in Genesis 22. God said to the patriarch, “Take your son, your only son, Isaac, whom you love, and go to the region of Moriah. Sacrifice him there as a burnt offering on one of the mountains I will tell you about.” Abraham obeyed God, and Isaac quietly carried the wood up the mountain, preparing to be slaughtered by his own father. 

In many ways, the story is disturbing, repugnant, and infuriating. We want to know what it was that drove Abraham up the mountain to take the life of his beloved son. We want to know why Isaac was so passive and compliant in the whole affair. And we want to know why God intervened at the last possible moment, possibly traumatizing Isaac even further. The entire episode is a bit more comprehensible when we understand that covenants often involved the exchange of firstborn sons. But sending Isaac to live in God’s house would necessitate his death. That’s hard to take.

Yet it was precisely because Isaac’s life was on the line that something even more horrendous than child sacrifice was at issue—namely, the possibility that God could be a liar. After all, Isaac was the child of promise, so if he died, God’s trustworthiness would die with him. Isaac has to live—or be resurrected—if all nations of the earth are to be blessed through his line. Abraham knew this, as the New Testament tells us in Hebrews 11:17. Abraham was convinced that God cannot lie, so he raised the knife. Just then an angel of the Lord called out from heaven, “Abraham! Abraham! Do not lay a hand on the boy. Do not do anything to him. Now I know that you revere God, because you have not withheld from me your son, your only son.” Abraham looked up, and there in a thicket was a ram caught by its horns. He took the ram and sacrificed it as a burnt offering in the place of his son. Amazing.

Genesis 22 is a story about the costly sacrifice of a father, the willing submission of a son, and the gracious provision of the Lord. “He will provide,” said Abraham. “The Lord will see to it.” No wonder Jesus said to his contemporaries, “Your father Abraham rejoiced at the thought of seeing my day; he saw it and was glad” (John 8:56). Jesus was now part of a similar story himself, and Abraham had gotten a preview of it. But what did Abraham see when he was standing on Mount Moriah? What did he hear? What did God show him? Did Abraham see the obedient Son of God bearing the wood of the cross to Golgotha—the Son for whom there would be no substitute this time? Perhaps if Abraham had been standing at the foot of the cross and had seen Jesus die right in front of him, he would have looked up to heaven and spoken God’s words back to him: “Lord! Lord! Now I know that you revere me, for you have not withheld from me your Son, your only Son, Jesus, whom you love.”

This message shows how the hardest thing God could ever ask of us is the very thing he did for us—he gave us his only Son.That Son was a descendant of Abraham through Isaac, and all families of the earth are blessed through him. God kept his word. Again. “What, then, shall we say in response to this? If God is for us, who can be against us? He who did not spare his own Son, but gave him up for us all—how will he not also, along with him, graciously give us all things?” (Romans 8:31-32). Even more amazing.

Sermon Resources:

Contact This New Life directly for the sermon audio file.

Random Thoughts from Wrightsville Beach, North Carolina

Spent a lovely day at Wrightsville Beach today, reading and relaxing one last time before the next dissertation “push” consumes my life. The crisp, gentle breeze and bright sunshine made for a lovely outing. Here are some random ruminations with no rhyme or reason—just some nuggets that wafted in and out, sort of like the waves at my feet.

1.  Walking on the sand always reminds me of God’s promise to Abraham, “So shall your descendants be.” That metaphor was all around me today. He is faithful as far as the eye could see—and then beyond. I may have to do some stargazing tonight and celebrate the same truth (cf. Gen 15:5, 22:17, 26:4, etc.). Apparently there are more stars in the universe than grains of sand (roughly 7.5 x 1018 vs. 1 x 1022). Either way, the message is clear: “The one who calls you is faithful, and he will do it” (1 Thess 5:24).

2.  Scrunching my toes in the sand reminded me of those swimming training trips we used to take in college. Whether it was in Florida or St. Croix, our days consisted of triple sessions, with the middle block of agony featuring long runs on the beach. Running on the sand is a lot more difficult than running on hard surfaces. Those jaunts were grueling, and I don’t miss them. Then again, I do miss having chiseled calves.

3.  I also miss those days when the media were (mostly) honest and evenhanded. Indeed, there was a time when our national news outlets were content to be our eyes and ears on the events of the day. Now they try to be our brains, too, telling us what to think. No thank you. We can do that ourselves. Who do you think you are? You’ve done more to polarize our country than any politician. And now you’re playing censorship games to aid and abet certain candidates. This is a flagrant corruption of journalism. Knock it off.

4.  The undulating waves reminded me of Enya’s song, “The Humming,” a clever musical reflection on the cycles of the universe. The ending (“Then all of this begins again”) makes me think of the references to nature in Ecclesiastes chapter 1. There’s a rhythm to the cosmos. A pulse. And, more importantly, a story. “The heavens declare the glory of God,” said King David. As Max Lucado put it, “Nature is God’s first missionary.”

5.  I started re-reading Michael Heiser’s The Unseen Realm, which is a good and necessary corrective to those branches of the faith that have been so modernized as to be devoid of anything supernatural. Kudos to him for helping the church rediscover, as Hamlet put it, “There are more things in heaven and Earth, Horatio, / Than are dreamt of in your philosophy.” 

6.  I polished off a bag of Mint Milanos, my favorite non-homemade cookie. I mentioned that fact in class two weeks ago—just in passing—and this past week a bag magically appeared in my classroom. How kind of that particular student. (She’s an auditor, so there’s no possibility of grade inflation in this case!) And how kind of the Lord to give us taste buds, especially when flavors like chocolate and mint can swirl together inside a cookie. And then inside my mouth.

7.  Speaking of cookies, it’s probably time to mortify the flesh a bit. Chiseled calves don’t come easily. Likewise, I should probably finish my Alias binge this weekend, too. Dissertations don’t write themselves. The road ahead is long and lonely. I trust it will also be rewarding.

Enjoy the journey!

The Blood Covenant, Part 1: The Bond in Blood (Genesis 15:1-21)

The word “covenant” is used over 300 times in the Bible. In the ancient world, covenant making (or “cutting”) was a social arrangement of convenience or necessity, obligating two parties to show hesed one to another (i.e., mercy, kindness, loving-kindness, or covenant loyalty). At its heart, a covenant was a bond in blood; the establishment of a binding, legal relationship with no exit clause. Covenant partners died to their rights to independent living, becoming functionally one in the process.

The shock of the Bible is that God himself has entered into covenant with the human race! He swore on oath with uplifted hand to keep his word, even upon pain of death. It all started with a man by the name of “Abram.” God promised that one day someone would come through Abram’s line who would bless the whole world (Genesis 12:3), an ultimate reference to the Messiah. The bigger shock of the Bible is that to establish a covenant with humanity, God placed a death sentence on himself. What kind of God is willing to die for his people? The one whose Son wound up on a cross, where the New Covenant was cut.

Sermon Resources:

Contact This New Life directly for the sermon audio file.