Here’s how we opened our Easter service this morning at Christ Community Church in Myerstown, Pennsylvania. As has become our tradition, it’s a dark-to-light presentation that culminates in a choir processional of exuberant voices declaring the joy of Christ’s resurrection, with the congregation joining in on the last verse. This year’s presentation was called “His Only Son,” from Genesis 22 and the Gospels. Enjoy.
Click on the image to access the video:
His Only Son
An Original Production by Christ Community Church
Written by Tim Valentino
Narrated by Ken Hunkins
Produced and Edited by Tim Valentino
Artwork by Maureen Logan
Choir Directors Sonya Valentino Shirley Long
Processional Christ Community Church Easter Choir
Jen Danielson, Lisa Dreibelbis, Stacey Espenschied, Kaye Focht, Marcy Garman, Shawn Garman, Ginny Hauer, Ken Hunkins, Faye Hipkiss, Bonnie Hunkins, Carol Keller, Kirby Keller, Maureen Logan, Shirley Long, Claude Petrie, Jan Petrie, Dawn Sharp, Pat Shroff, Sonya Valentino, and Tim Valentino.
—
Music by
“Adagio for Strings,” String Quartet, Op. 11 by Samuel Barber, performed by the New York Philharmonic Orchestra, conducted by Leonard Bernstein, Sony Music, 1971.
“Prelude” by Scott Brasher and J. A. C. Redford on Unveiled Hope by Michael Card, performed by the London Session Orchestra, featuring Hunter Lee, conducted by J. A. C. Redford, Myrrh, 1977.
“Joyful, Joyful We Adore Thee,” lyrics by Henry Van Dyke, music by Ludwig van Beethoven, Ode to Joy: from Symphony No. 9, performed by the Grace Community Church Orchestra, Sun Valley, CA, 2024.
Video by
His Only Son, directed by David Helling, starring Nicolas Mouawad as Abraham, Sara Seyed as Sarah, Edaan Moskowitz as Isaac, and Dan da Silva as the Lord, Angel Studios, 2023.
Jesus of Nazareth, directed by Franco Zeffirelli, starring Robert Powell as Jesus, Olivia Hussey as Mary, Yorgo Voyagis as Joseph, and Michael York as John the Baptist, ITC Entertainment, 1977.
The Passion of the Christ, directed by Mel Gibson, starring Jim Caviezel as Jesus, Icon Productions/Newmarket Films, 2004.
Risen, directed by Kevin Reynolds, starring Joseph Fiennes as Clavius Aquila Valerius Niger, Antonio Gil as Joseph of Arimathea, and Victor Trapani as Nicodemus, Affirm Films/Columbia Pictures, 2016.
Licensed By
Christian Copyright Licensing International No. 21229380
Christian Video Licensing International No. 21-03851831
My son Andrew is getting married two months from today. It’s been a joy having him live with us for the past couple years as he was rebooting his life from photojournalism to tech support for Christian musical theater. Not only is he enjoying his career at Sight & Sound, but he met his fiancé there as well. He also appeared in their second film, A Great Awakening. So, it’s a time of much joy as we celebrate God’s goodness to him and prepare for the big day.
Since Drew will be leaving us soon, I decided to do this year’s Easter opening entirely myself. I’ve been far too dependent on him over the years for video generation and editing. So, I forced myself to learn three new apps for making soundtracks, storyboards, and video compilations. This year’s production is based on the Akedah, the Binding of Isaac in Genesis 22. It’s a heartrending story that leads to Jesus, and my well of tears has been thoroughly drained during the preparations. Drew said, “Now you know how hard it is to edit through tears.” Exactly right.
Let’s just say I have a newfound respect for my son’s skills in this area. He really has a gift. The last two weeks have been nonstop and intense. Part of the challenge has been learning the software and then using it for editing video clips and audio tracks—something I’ve never done until now. I can usually craft a story and conceive the look I am aiming for, but Drew has always been the one to bring it to life. This time I flew solo.
So, I was eager to get his feedback on my first project. He loved it! He said I have some good editing instincts and conveyed the message well. Were he to give me a grade, he said it would be about a 92-95. Not bad for the first try! Since he has a Film and Media Arts degree from Temple University, I really value his feedback. He gave me a few ideas for tightening up the final edit, and I’ll be doing those over the next few days. I’ll post the final version here after the Easter Sunday worship service.
He’s still my beloved son in whom I am well pleased. That’s one of the reasons it’s been such an emotional month. As I’ve pondered Genesis 22 for the Good Friday service and Easter Sunday opening, I’ve been wrecked afresh by the deep and profound love that God has for his creation. For you. For me. For all of us. The hardest thing God could ever ask of us is the very thing he did for us—he gave us his only son. “I scarce can take it in.”
Drew promises to come back for our weekly movie night. (He’s only moving an hour away.) In fact, right now we’re watching Galaxy Quest because we wanted to watch something campy and fun. The cast is quite good—Tim Allen, Sigourney Weaver, Alan Rickman, and Tony Shalhoub. But the company is better. Thanks for being my movie man, Drew. You will always be loved.
His Only Son
An Original Production by Christ Community Church
Written by Tim Valentino
Narrated by Ken Hunkins
Produced and Edited by Tim Valentino
Artwork by Maureen Logan
Choir Directors Sonya Valentino Shirley Long
Processional Christ Community Church Easter Choir
—
Music by
“Adagio for Strings,” String Quartet, Op. 11 by Samuel Barber, performed by the New York Philharmonic Orchestra, conducted by Leonard Bernstein, Sony Music, 1971.
“Prelude” by Scott Brasher and J. A. C. Redford on Unveiled Hope by Michael Card, performed by the London Session Orchestra, featuring Hunter Lee, conducted by J. A. C. Redford, Myrrh, 1977.
“Joyful, Joyful We Adore Thee,” lyrics by Henry Van Dyke, music by Ludwig van Beethoven, Ode to Joy: from Symphony No. 9, performed by the Grace Community Church Orchestra, Sun Valley, CA, 2024.
Video by
His Only Son, directed by David Helling, starring Nicolas Mouawad as Abraham, Sara Seyed as Sarah, Edaan Moskowitz as Isaac, and Dan da Silva as the Lord, Angel Studios, 2023.
Jesus of Nazareth, directed by Franco Zeffirelli, starring Robert Powell as Jesus, Olivia Hussey as Mary, Yorgo Voyagis as Joseph, and Michael York as John the Baptist, ITC Entertainment, 1977.
The Passion of the Christ, directed by Mel Gibson, starring Jim Caviezel as Jesus, Icon Productions/Newmarket Films, 2004.
Risen, directed by Kevin Reynolds, starring Joseph Fiennes as Clavius Aquila Valerius Niger, Antonio Gil as Joseph of Arimathea, and Victor Trapani as Nicodemus, Affirm Films/Columbia Pictures, 2016.
Licensed By
Christian Copyright Licensing International No. 21229380
Christian Video Licensing International No. 21-03851831
Yesterday I forbade any reference to—or celebration of—my birthday in the morning. It was the Lord’s Day, not mine. More than that, it was Easter Sunday. I wanted the focus to be completely on Jesus and what he did for us on that most central day in the church calendar.
My family and church family mostly followed that counsel. During the pre-service church breakfast, somebody started a spontaneous round of “Happy Birthday.” I’m told they just couldn’t help themselves. After breakfast, we went to the sanctuary and had a truly special time of celebrating the resurrection of Christ with a whole lot of people in attendance—more than ever before in our church’s history. But it was moving to be there and rejoice in the empty tomb regardless of how many came.
Fought the fight, the battle won. Alleluia—the line we were singing as my mother-in-law went home to be with the Lord last December. It was tough to sing those beautiful words this year during the Easter service.
Anyway, not to be outdone, Samuel wanted to sing “Happy Birthday” to me, too, and his mommy caught part of his rendition on video. I was charmed, to say the least. We had a nice relaxing birthday celebration with family (and some friends who stopped by) early evening and into the night.
Given the precarious situation involving my conception and delivery, I’m just glad I was ever born at all. And because of Easter, I was born again.
April 13. It’s my “Gotcha Day”! I’ll be forever grateful that Carl and Cherie Valentino hand-picked me out of an orphanage in Philadelphia many years ago and made me their own son. Yes, as I’ve indicated on several occasions, my adoptive father could be extremely harsh at times, and that harshness left a few skid marks on my soul and placed landmines in my path for years to come.
But mom and dad did a beautiful thing for me, and I am blessed that I didn’t have to languish for years as a neglected ward of an impersonal state. Besides, Dad was the child of two alcoholic parents, so he carried his own share of pain in life. In the end, he came to know Jesus—praise the Lord.
Holy Week was rich and meaningful this year, as always. Our church broke attendance records all over the place, but that was minor compared to the massive blessings we shared together. Even though many “free churches” today make little room in their calendar for these kinds of special observances, the worldwide church historically has felt compelled this time of year to align their focus to the Passion Narrative in Scripture.
As such, during these special days we cleared our calendar to focus exclusively on the events of Christ’s suffering, death, and resurrection, which are at the very heart of our Christian faith. Meetings and ordinary business were not allowed. All our attention was directed toward the person and work of Jesus Christ as:
The triumphant yet humble King (Palm Sunday);
The Servant of God and Mediator of the New Covenant (Maundy Thursday)
The Lamb of God Who Takes Away the Sin of the World (Good Friday); and
Christus Victor—the Risen Savior of the Human Race (Easter Sunday).
The theological rationale for such a special week is how the Gospels themselves are laid out. In terms of sheer space allocation, the attention given to Jesus’ final week of ministry before the crucifixion, along with the 40-day period after the resurrection, occupies a significant portion of Gospel texts:
Matthew—8 of 28 chapters (29%)
Mark—6 of 16 chapters (38%)
Luke—5.5 of 24 chapters (23%)
John—8.7 of 21 chapters (41%)
All told, 28+ of the 89 chapters in the Gospel story (32%) are devoted to the period of time between the triumphal entry of Jesus into Jerusalem and his ascension back to the Father. Yet this period is less than 1% of Jesus’ entire 3.5 years of public ministry.
In terms of literary style, this space allocation suggests that while the birth, life, teachings, and miracles of Jesus were important to the authors, it was the Passion of Christ (i.e., his final acts, sayings, trials, sufferings, and death) and the Resurrection of Christ (i.e., his empty tomb, post-resurrection appearances, and ascension) that were centrally important to their purpose for writing.
Martin Kähler, a late 19th-century German New Testament scholar, stated that the Gospels are “passion narratives with extended introductions.” While perhaps somewhat overstated, this assessment does strike at the ultimate goal of Jesus’ earthly career.
As noted before, I’m way behind on posting sermon summaries, so here’s a real quick look at where we were in the Word this past Holy Week:
Palm Sunday “Don’t Miss the Donkey” (Zechariah 9:1-11) If we miss the point of Jesus’ donkey, we will miss the point of Jesus’ death.
I think I shocked some folks when I asserted that the palm branches were the chosen symbol for this day by the people who misunderstood Jesus, not Jesus himself. The symbol Jesus chose was the lowly donkey. Big difference.
Maundy Thursday “Washed by God” (John 13:1-17) and “Fed by God” (Luke 22:14-23) Our God does feet. He also does souls. We need to give him both.
The shock here is that God in Christ came all the way down to give us what we needed most—himself. He cleanses us and nourishes us with his body and blood. May we never get over the jolt of these incredible truths.
Good Friday “A Really Good Friday for Barabbas” (Matthew 27:15-26) Jesus takes our place on death row so that we might live eternally with God.
Of all the Good Friday sermons I’ve done, I had never given one on the the release of Barabbas. This year, I felt a strong urge by the Holy Spirit to do so. Fascinating aspects of the story include: (1) the manuscript evidence for Barabbas’s first name being “Jesus”; and (2) the four failed attempts by Pontius Pilate to get rid of the case against the Nazarene. I stirred in some archaeology and Greco-Roman backgrounds to go with the theology and exhortation. My three main movements were:
Barabbas and Us—Everyone lives on spiritual death row.
Pilate and Us—Everyone will eventually deal directly with Jesus.
Jesus and Us—Everyone can be released from spiritual death row by trusting in Jesus.
Interestingly enough, I had a funeral on Good Friday—something I’ve never done before. That made for a tight schedule, but it was a special request from a special family, and I was happy to help. So, Wednesday night and Friday morning I was back in my old stomping grounds of Fleetwood, PA. The family’s home is on Main Street, and the funeral home is on Kutztown Road.
I was wondering what it would feel like to be back in the area. All was well as I drove around town and went down memory lane. I even found myself praying prayers of blessing over others, whether I thought they deserved them or not. Such is the amazing grace of God. Besides, as George Herbert once said, “Living well is the best revenge.”
Some chapters in life are better than others, but when you let the Author of life author your story (and stop trying to grab the pen yourself), the ending is always maximally great. Some of my favorite writers specialize in the surprise ending—Guy de Maupassant, Jane Austen, Agatha Christie, O. Henry, Charlotte Brontë, et al. Those little “Aha!” moments in literature point to the one great “Aha!” moment that’s coming at the end of the age.
Anyway, as per usual, I sobbed my way through Jesus of Nazareth during Holy Week, and then (part of) The Passion of the Christ on Good Friday. I only got to see part of The Passion this year because I had to finish writing my sermon. I just barely made it! 😊
Easter Sunday “It Doesn’t Sting Anymore!” (1 Corinthians 15:50-57) When the risen Christ returns, he will make a brand new you.
I had a lot of fun with this one. Hopefully I’ll be able to say more later, but here’s the outline for now:
The PRESENT LIMITATION of our bodies (15:50)
Your present body cannot endure on earth.
Your present body cannot enter into heaven.
The FUTURE TRANSFORMATION of our bodies (15:51-53)
The believer’s body will be changed in a moment of time.
The believer’s body will be changed for all of eternity.
The ETERNAL CELEBRATION of our bodies (15:54-57)
The prophecies of Jesus anticipated the swallowing of death.
The pardon of Jesus eliminated the sting of death.
After the church service (which featured a special light-to-dark opening), we had a big ham dinner with the whole family. Afterward I got to play with Samuel, which was pure delight. All of us probably had too much candy, so it’s probably time once again to mortify the flesh.
On another note, the nine long appendices of my dissertation are now complete, and I am ready to start writing the chapters. Sheesh, it was a lot of work playing around in (and translating many of) the ancient Near Eastern, Greco-Roman, intertestamental, and rabbinic primary sources. But, oh, how they illuminated my topic! I very much want to share some of my work now, but I’ll resist the temptation to do that and just provide the title:
TORN VEIL IN THE TEMPLE: GOD’S COMMENTARY ON THE DEATH OF HIS SON AND EPICENTER OF HIS NEW CREATION IN CHRIST
I hope you’re intrigued. My thesis is set, and I can hardly wait to share my findings and defend my conclusions. But—all in good time. I think a massive blog post series may be in the future.
Finally—note to self: No more doctorates after this one! 😊 Like the last one, this has been a great learning experience, but it’s been awfully time consuming, and I’m ready to get on to other things. It’s been a special period that needs to wrap up within the year.
Enya has been my musical companion whenever my academic stress levels spike. Her vibe is just so soothing. Speaking of Enya, I worked one of her pieces (“A Day without Rain”) into the Maundy Thursday pre-service playlist. It worked quite well to help set a tone for the evening. I think I’ll go for a walk now and play something of hers that’s a little more exuberant. Any suggestions? Most of her stuff is quite mellow.
Since several rabbinic writings I encountered mention angels being made by God from fire, I’ll leave you with “The Forge of the Angels” from Dark Sky Island.
