Mary Comforts Eve, Part 3: The Fruit

We’re reflecting on Grace Remington’s “Mary Comforts Eve,” a simple pencil-and-crayon sketch portraying a hypothetical encounter between the two towering matriarchs of the human race according to the Christian Scriptures. My comments are from the perspective of a Protestant evangelical pastor and seminary prof with an appreciation for what this Catholic nun has produced, even though our views on Mary and the church may not always align completely. No matter: it is my privilege to learn from (and be blessed by) others.

Remington does not consider herself to be a professional artist. She simply likes to doodle while thinking and studying. She got the idea for this piece while pondering the differences between Mary and Eve. Interestingly enough, the practice of Bible journaling art has taken off among evangelicals in the last decade or so. In an age of ubiquitous online memes, this practice is a welcome trend, and getting started is not difficult. I’m not an accomplished artist, but I can’t study the Bible without a pencil in my hand, either. There’s a treasure trove of truth gems in the canon to sort out. Some of these gems make their way into Remington’s sketch.

The scene portrays three kinds of fruit, two of which are in plain sight. First, there is the good fruit of Eden, scattered throughout the garden archway. It’s important to note that there’s much more good fruit available to Eve than the one bad fruit she wound up eating. As noted in a recent post, God’s openhandedness is seen on the very first page of Scripture: “Then God said, ‘I give you every seed-bearing plant on the face of the whole earth and every tree that has fruit with seed in it. They will be yours for food’” (Gen 1:29). Right out of the gate, God is a giving God, and generosity is seen as a prevailing attribute of his.

It’s not specified in the text how many edible plants and trees with fruit were available for the taking. Were there a hundred? A thousand? Ten thousand? A million? We don’t know, but the scene is marked by lush and lavish provisions from the hand of the benevolent God who gave them. Indeed, Yahweh is portrayed as a God of abundance. He says to the first human, “Eat!” and only one tree was said to be off limits—“the tree of the knowledge of good and evil” (Gen 2:17). 

Celebrate the goodness of God in this divinely intended imbalance: God gave ten thousand “yeses” to one solitary “no.” Consequently, he’s not a stingy, crotchety God at all; he’s a God who overflows with blessings, provisions, kindness, and grace. And even the one “no” he gave was for our benefit, not our misery. Indeed, it was meant to prevent our misery.

Alas, Eve ate the one bad fruit of Eden, which is the second fruit visible in the picture. This fruit was “good for food and pleasing to the eye, and also desirable for gaining wisdom” (Gen 3:6). What made it bad was not its internal composition but the fact that God said it was off limits to Eve and her husband. In the sketch, she is still clutching the forbidden fruit, which brings with it all the miseries of guilt, shame, and despair (as seen in her downcast, blushing expression), as well as crippling bondage and eventual death (as seen in her legs, which are encoiled by the serpent).

Every descendant of Eve, save one, has experienced this sense of guilt, shame, despair, and bondage. Such is the beguiling nature of sin. We want what we want, and we take what we want, ignoring the clear instruction of our kind and generous God. Consequently, we are justly placed under the sentence of death for our spiritual treason. “In the day that you eat thereof, you shall surely die” (Gen 2:17). Is there no hope? Is there no way out? Is the human race irreversibly doomed? Blessedly, God’s grace is much greater than human rebellion.

The way out is the third fruit in the Remington sketch, the fruit of Mary’s womb, soon to be born. “Blessed are you among women,” said Elizabeth, “and blessed is the fruit of your womb” (Luke 1:42). Mary’s fruit—Jesus—is the way out. Indeed, he is “the way, the truth, and the life” (John 14:6). He is our hope. He is our deliverer. He is our salvation from guilt, shame, despair, bondage, and death. In fact, Mary’s fruit is the fulfillment of the protoeuangelion in Genesis 3:15. Jesus is the good fruit that can undo the effects of the bad fruit.

And yet on the cross, Mary’s fruit looked exactly opposite of Eve’s fruit. The crucified Christ was seen as worthless, not pleasing to the eye, and foolish—another messianic pretender who got himself killed. But Scripture tells us he was wounded for our transgression. He was bruised for our iniquity. Our punishment was upon him. And by his stripes, we are healed (cf. Isa 53).

Both women in the scene are looking at each other’s fruit. Eve gazes at Mary’s fruit—the fruit of the coming Christ, while Mary gazes at Eve’s fruit—the fruit of the tree of the knowledge of good and evil. While only Eve touches the fruit of the tree, both women touch Mary’s belly since both need that fruit for their own salvation (Luke 1:47). And both are mothers of Christ, the good fruit who “comes to make his blessing known far as the curse is found.”

Part 1: The Gasp
Part 2: The Encounter
Part 3: The Fruit
Part 4: The Colors
Part 5: The Hands, Feet, and Faces

Image Credits: elledecor.com; illustratedprayer.org.

Mary Comforts Eve, Part 2: The Encounter

We’re reflecting on the pencil-and-crayon sketch titled “Mary Comforts Eve” by Grace Remington, OCSO, of the Cistercian Sisters of the Mississippi Abbey in Dubuque, Iowa. The image first appeared on a greeting card and is available for purchase online. I received my own copy last year as a gift for participating in a friend’s wedding. He knew of my appreciation for the piece, so he surprised me with a print of my own. 

The scene shows an encounter between Eve and Mary even though they were not contemporaries. In fact, they lived thousands of years apart on the timeline. As such, the piece functions as a historical hypothetical. What might it look like if Eve were to meet with Mary? What might the nature of their interaction be? 

The sketch, then, is a thought experiment. How would you picture an encounter between these two women? Would their conversation be cold? Awkward? Condemnatory? Hostile? Would there be a conversation at all? Using her theological imagination, Remington gives us a glimpse into how such a meeting might go.

Eve, of course, is “the mother of all the living” (Gen 3:20). She represents the entire human race in all of its beauty and brokenness, tainted as we all are by sin. In the Genesis account, she was blitzed by her own disobedience to the clear command of God not to eat of the tree of the knowledge of good and evil (Gen 2:16-17). Consequently, she was judged along with her husband, who also disobeyed God (Gen 3:16-19) and banished from the garden of Eden for the rest of her life (Gen 3:24). 

Before her expulsion, however, God made a promise that a descendant of hers would someday come and destroy the serpent (the creature who enticed her to sin), with her own offspring getting seriously wounded in the process (Gen 3:15). The prophecy is rather cryptic, but the implication is that a special descendant from Eve would reverse the damage done in Paradise.

That special descendant from Eve is now here in the scene, gestating inside Mary and soon to be born. Though a virgin, Mary will give birth to the one who is none other than “God with us” (Isa 7:14; Matt 1:23). He is the one who will reverse the curse that has befallen the planet (Gen 3:17). They will “give him the name Jesus, because he will save his people from their sins” (Matt 1:21). Note that in Remington’s sketch, Eve is back in a garden again. Her banishment has ended, and Jesus is the one who ends it.

The nature of Eve’s encounter with Mary is revealed in several clues throughout the sketch, which we’ll look at in future posts. For now we’ll simply mention that it does not go unnoticed in Christian theology that Mary is a kind of new Eve. Indeed, the Fall began through the false belief of one virgin (Gen 3:4-6); the Restoration began through the true belief of another virgin (Luke 1:38). 

Irenaeus (ca. 130 – ca. 202 A.D.) wrote, “The knot of Eve’s disobedience was loosed by the obedience of Mary. For what the virgin Eve had bound fast through unbelief, this did the virgin Mary set free through faith.” Tertullian (ca. 155 – ca. 240 A.D.) wrote, “What had been reduced to ruin by this sex, might by the selfsame sex be recovered to salvation. As Eve had believed the serpent, so Mary believed the angel. The delinquency which the one occasioned by believing, the other by believing effaced.” 

We have in this scene, then, an encounter between human sin and divine grace. Which will win? Remington leaves no doubt as to the outcome.

When God showed up to save the world from the consequences of Eve’s disobedience (and even more so that of her husband, who was not beguiled but simply revolted against the divine command), he came as a baby in the person of Jesus Christ. A dark human womb was his entry point. A crude manger—an animal feeding trough—would serve as his first bassinet (Luke 2:7, 12, 16).

He would go on to die for the sins of the world and be raised to new life on the third day. Shockingly, God’s entire rescue project hinges on Mary, a young woman from a nowhere town and a no-account family, saying “Yes” to the impossible. She carried the weight of world’s salvation not only in her womb but also in her will. Thank God she said, “Yes.”

So, Eve is the mother of Mary, who is the mother of Christ, who is the creator of both. Jesus came from both in order to redeem them both. And us.

Only God could author a story like that.

Part 1: The Gasp
Part 2: The Encounter
Part 3: The Fruit
Part 4: The Colors
Part 5: The Hands, Feet, and Faces

Image Credits: elledecor.com; illustratedprayer.org.

Mary Comforts Eve, Part 1: The Gasp

Seldom do I look at a work of art and gasp audibly, but that happened about a year and a half ago when I saw Sister Grace Remington’s “Mary Comforts Eve” for the first time. The tears came quickly, followed by a time of personal worship and a whole lot of gratitude for what the sketch is seeking to communicate. I find it to be conceptually simple, artistically straightforward, theologically rich, and spiritually hopeful. Many months later, I’m still moved by its message. 

Let’s take the next several days to talk about what we see here. If you haven’t viewed the piece yet, maybe you’ll gasp, too. Lest I diminish its impact in any way, I’ll simly place it here without comment for now. Just as I needed to sit with it for a while before saying a word, maybe you’ll need to “treasure up all these things and ponder them in your heart,” too (cf. Luke 2:19). Like Mary. 

Part 1: The Gasp
Part 2: The Encounter
Part 3: The Fruit
Part 4: The Colors
Part 5: The Hands, Feet, and Faces

Image Credits: elledecor.com; illustratedprayer.org.

For All Those Who Stumble in the Darkness

Here’s another Advent gem that we sang this morning—Michael Card’s “Immanuel.” I never make it through this one, either, without breaking down at some point. It’s simple, tender, and true. Above all, it’s filled with hope for those of us who know we’re broken deep down and stand in need of a Savior.

Below is a rendition by a collection of school choirs from Cheshire and the Wirral (a peninsula in North West England) joining their voices in Chester Cathedral to celebrate the Incarnation and the Epiphany. A wonderful song is made even more special by the young voices who sing it. The opening line is from Isaiah 7:14, the famous prophecy about a virginal conception and the surprising name given to the resulting child.

im = the Hebrew word for “with”
anu = the Hebrew word for “us”
El = a shortened form of the Hebrew word Elohim, “God”

Jesus is the “with-us God.” And if God is with us, who can stand against us? Be blessed by this choral arrangement of Michael Card’s modern classic—especially if you’ve stumbled in the darkness. We’re the reason he came.

IMMANUEL

A sign shall be given
A virgin will conceive 
A human baby bearing 
Undiminished deity 
The Glory of the nations
A Light for all to see 
And Hope for all who will embrace 
His warm reality

Chorus

Immanuel, our God is with us 
And if God is with us
Who could stand against us?
Our God is with us, Immanuel

For all those who live in the shadow of death 
A glorious Light has dawned 
For all those who stumble in the darkness
Behold your Light has come 

So, what will be your answer; 
O will you hear the call?
Of Him who did not spare His Son, 
But gave Him for us all 
On earth there is no power, 
There is no depth or height 
That could ever separate us from 
The love of God in Christ 

Time to go set up some more Christmas trees. They’re beautiful reminders that “a glorious Light has dawned.”

Come, Thou Long Expected Jesus

The Incarnation sends my heart and mind into orbit every year. That’s why I’m glad we have an entire season of the church calendar to reflect on it. There’s no way to fully plumb its depths with these finite minds of ours. I started writing some Christmas devotional pieces for later this month, and the waterworks have already begun. Good music only makes it worse. Often I can do little more than just put my pen down and throw my hands up in gratitude and awe. That God should become one of us in the person of Christ is sheer mystery wrapped in divine love. The same is true for the second coming of Christ, to which the season of Advent also points.

As we do every year, we’re singing Charles Wesley’s classic, “Come, Thou Long Expected Jesus,” to kick off the new church year. It would be difficult to find a better selection. Wesley wrote this Advent hymn and had it printed in his Hymns for the Nativity of our Lord in 1744. Like so many of his texts, this piece alludes to one or more Scripture passages in nearly every phrase. Moreover, the double nature of Advent is reflected in these lyrics, remembering Christ’s first coming even while anticipating his return.

Stanzas 1 and 2 (which form verse 1 in most of today’s hymnals) recall messianic prophecies from the Old Testament. Stanza 3 speaks of Christ’s birth and kingdom, and stanza 4 functions as a plea for Christ to rule in our hearts.

Come, thou long expected Jesus,
Born to set thy people free;
From our fears and sins release us,
Let us find our rest in thee.
Israel’s strength and consolation,
Hope of all the earth thou art;
Dear desire of every nation,
Joy of every longing heart.

Born thy people to deliver,
Born a child and yet a King,
Born to reign in us forever,
Now thy gracious kingdom bring.
By thine own eternal spirit
Rule in all our hearts alone;
By thine all sufficient merit,
Raise us to thy glorious throne.

Wesley was the eighteenth child (and youngest son) of Samuel and Susanna Wesley. He was born at Epworth Rectory on December 18, 1707. In 1716 he went to Westminster School, being provided with room and board by his brother Samuel. He was an usher at the school until 1721, when he was elected King’s Scholar, resulting in free tuition and board. In 1726 he was elected to a Westminster studentship at Christ Church, Oxford, where he took his M.A. degree in 1729. 

Charles wrote hundreds of poetic works with his brother John, the famous revivalist and founder of Methodism. His individual hymns number well over 5,000. Among his more famous today are:

1738  And Can It Be?
1739  Jesus, Lover of My Soul
1739  Christ the Lord Is Risen Today
1739  Hark! the Herald Angels Sing
1749  O for a Thousand Tongues to Sing

Which is your favorite? I for one could sing “Christ the Lord Is Risen Today” every other Sunday and not get tired of it! Jesus was not only the child born to die, he was the child born to rise again! Charles Wesley himself was “raised” to Christ’s “glorious throne” on March 29, 1788. The Spirit of God left his mark on this servant, and he in turn left his mark on us.