We’re reflecting on Grace Remington’s “Mary Comforts Eve,” a simple pencil-and-crayon sketch portraying a hypothetical encounter between the two towering matriarchs of the human race according to the Christian Scriptures. My comments are from the perspective of a Protestant evangelical pastor and seminary prof with an appreciation for what this Catholic nun has produced, even though our views on Mary and the church will not always align completely. No matter: it is my privilege to learn from (and be blessed by) others.
Remington does not consider herself to be a professional artist. She simply likes to doodle while thinking and studying. She got the idea for this piece while pondering the differences between Mary and Eve. Interestingly enough, the practice of Bible journaling art has taken off among evangelicals in the last decade or so. In an age of ubiquitous online memes, this practice is a welcome trend, and getting started is not difficult. I’m not an accomplished artist, but I can’t study the Bible without a pencil in my hand, either. There’s a treasure trove of truth gems in the canon to sort out. Some of these gems make their way into Remington’s sketch.
The scene portrays three kinds of fruit, two of which are in plain sight. First, there is the good fruit of Eden, scattered throughout the garden archway. It’s important to note that there’s much more good fruit available to Eve than the one bad fruit she wound up eating. As noted in a recent post, God’s openhandedness is seen on the very first page of Scripture: “Then God said, ‘I give you every seed-bearing plant on the face of the whole earth and every tree that has fruit with seed in it. They will be yours for food’” (Gen 1:29). Right out of the gate, God is a giving God, and generosity is seen as a prevailing attribute of his.
It’s not specified in the text how many edible plants and trees with fruit were available for the taking. Were there a hundred? A thousand? Ten thousand? A million? We don’t know, but the scene is marked by lush and lavish provisions from the hand of the benevolent God who gave them. Indeed, Yahweh is portrayed as a God of abundance. He says to the first human, “Eat!” and only one tree was said to be off limits—“the tree of the knowledge of good and evil” (Gen 2:17).
Celebrate the goodness of good in this divinely intended imbalance: God gave ten thousand “yeses” to one solitary “no.” Consequently, he’s not a stingy, crotchety God at all; he’s a God who overflows with blessings, provisions, kindness, and grace. And even the one “no” he gave was for our benefit, not our misery. Indeed, it was meant to prevent our misery.
Alas, Eve ate the one bad fruit of Eden, which is the second fruit visible in the picture. This fruit was “good for food and pleasing to the eye, and also desirable for gaining wisdom” (Gen 3:6). What made it bad was not its internal composition but the fact that God said it was off limits to Eve. In the sketch, she is still clutching the forbidden fruit, which brings with it all the miseries of guilt, shame, and despair (as seen in her downcast, blushing expression), as well as crippling bondage and eventual death (as seen in her legs, which are encoiled by the serpent).
Every descendant of Eve, save one, has experienced this sense of guilt, shame, despair, and bondage. Such is the beguiling nature of sin. We want what we want, and we take what we want, ignoring the clear instruction of our kind and generous God. Consequently, we are justly placed under the sentence of death for our spiritual treason. “In the day that you eat thereof, you shall surely die” (Gen 2:17). Is there no hope? Is there no way out? Is the human race irreversibly doomed? Blessedly, God’s grace is much greater than human rebellion.
The way out is the third fruit in the Remington sketch, the fruit of Mary’s womb, soon to be born. “Blessed are you among women,” said Elizabeth, “and blessed is the fruit of your womb” (Luke 1:42). Mary’s fruit—Jesus—is the way out. Indeed, he is “the way, the truth, and the life” (John 14:6). He is our hope. He is our deliverer. He is our salvation from guilt, shame, despair, bondage, and death. In fact, Mary’s fruit is the fulfillment of the protoeuangelion in Genesis 3:15. Jesus is the good fruit that can undo the effects of the bad fruit.
And yet on the cross, Mary’s fruit looked exactly opposite of Eve’s fruit. The crucified Christ was seen as worthless, not pleasing to the eye, and foolish—another messianic pretender who got himself killed. But Scripture tells us he was wounded for our transgression. He was bruised for our iniquity. Our punishment was upon him. And by his stripes, we are healed (cf. Isa 53).
Both women in the scene are looking at each other’s fruit. Eve gazes at Mary’s fruit—the fruit of the coming Christ, while Mary gazes at Eve’s fruit—the fruit of the tree of the knowledge of good and evil. While only Eve touches the fruit of the tree, both women touch Mary’s belly since both need that fruit for their own salvation. And both are mothers of Christ, the good fruit who “comes to make his blessing known far as the curse is found.”
Part 1: The Gasp
Part 2: The Encounter
Part 3: The Fruit
Part 4: The Colors
Part 5: The Hands, Feet, and Faces
Image Credits: elledecor.com; illustratedprayer.org.